Man and work

The Exchange

Text 

The Exchange is a doubly American play: composed in the United States at the end of the nineteenth century, it presents an action that takes place in the same country.

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Tête d’Or

Second version

The text

The second version of Tête d’Or was revised in 1894, as evidenced by the manuscript acquired by the BNF in 1990. The full text was first published in L’Arbre.

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Claudel and the press

The relationship between Claudel and the press was complex and contrasting, but never antagonistic. He condemned only the bad press that visits a curse on the world like the scroll of parchment that the prophet Zechariah sees flying in the air.

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Claudel and Dance

I define dance as the proof offered to an audience, beneath the lights of the projectors, of the impossibility for the human being, caressed, carried away, stimulated, scoured by music of escaping from weight as well as from impulse…

Everything is said,

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CLAUDEL AND STAGECRAFT

Claudel always wanted to interfere in the production of his plays and so, little by little, he acquired a good understanding of stagecraft. Staging a play, for him, was not simply a routine matter of adapting the text to suit specific material conditions and circumstances.

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Poetic Art

This very complex text, published in 1907 but whose first idea seems to date back to 1898-1899, is a very strange literary object. Its title must not be misunderstood: it is not a poetic art in the sense of Boileau or Horace,

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Five Great Odes

On his return to China after renouncing his monastic vocation, Claudel meets Rosalie Vetch—an event he calls a “conflagration” whose turbulent consequences haunt the poems of the period 1901-1905,

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Early verses

Little is known about the poems Claudel wrote  before 1895. Many have been lost or destroyed. A handful of texts remain , most of them written in regular verses,

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